You Can See Everything Review: Nathan Fielder’s Elizabeth Holmes Documentary Is A Fascinating Look At Deception, Truth And The Art Of Manipulation | 4/5 Stars

You Can See Everything Review: What happens when a filmmaker known for playing with reality tries to understand one of the most controversial figures in the tech industry? That is the question at the centre of You Can See Everything, a documentary directed by Nathan Fielder and Lance Oppenheim. The film follows Elizabeth Holmes, the former Theranos founder convicted of fraud, during the weeks leading up to her prison sentence. What begins as an attempt to understand Holmes gradually turns into a much bigger examination of truth, deception and the difficulty of knowing what is real.

Released in theatres on October 16, 2026, the documentary has received strong reviews from critics, who have praised its unusual approach and the questions it raises about filmmaking. However, this is not a conventional documentary that simply revisits a famous scandal. Instead, it challenges viewers to question what they see and whether a camera can ever reveal the complete truth about a person.

What Is You Can See Everything About?

You Can See Everything follows Elizabeth Holmes, the founder of Theranos, the blood testing company that promised to transform healthcare through technology. The company eventually collapsed after its claims about its testing technology came under scrutiny. Holmes was convicted of fraud and sentenced to more than 11 years in federal prison.

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The documentary begins 34 days before Holmes is due to report to prison in 2023. She and her partner, Billy Evans, invite Fielder and his small film crew into their home to document their daily lives. They want to offer a different picture of Holmes, whose public image has largely been shaped by news reports, legal proceedings and earlier screen portrayals.

However, Fielder is not simply interested in recording their lives. He wants to understand Holmes and whether her account of the Theranos scandal can be trusted. As the filming continues, the documentary becomes an increasingly complicated attempt to separate what is being presented to the camera from what might actually be happening.